Tuesday, July 25, 2017

July 17th-20th, 2017 - The Cacti of Tucson & the Thing of the Desert

G&C Summer 2017
Blogpost 016
July 17th – 20th

“The Cacti of Tucson”


We left Carlsbad NM for New Mexico State University in Las Cruces, not to be mistaken for the University of New Mexico in Albuquerque. MY fiancé, bright as she is had made such a mistake which did not throw too big of a monkey wrench in our plans but did cause a slight debacle over where we would stay for the night; for my mother upon hearing on our arrival to Albuquerque had offered to us the contact information of her friend who lived in the area which was over three hours away from where we actually were. Regardless the day was still used to its greatest provincial effect where Charlotte databased at the universities’ entomological museum and I spent ten hours animating a walking (or crawling) cycle for a two-spotted spider mite image. At the end of the day we were tired and in low spirits but went to bed ready to drive to the University of Arizona for another day of the same. After a couple days of hard work, we were both ready for adventures outside the car, lab, and coffee house. On the morning of the 20th, after intense rain and thunderstorms we headed to the infamous Saguaro National Park, just outside of Tucson, AZ.
            Southern Arizona is most famous for its’ “forest” of polydactyl cacti of incredible size. As we left the outer limits of Tucson, my fiancé pointed out that the far off mountains coming in at our twelve o-clock were covered in what looked like giant cactus-needles. They were in fact cacti themselves, which only gave more validity to my fiancé’s response. I suppose a mountain covered in prickly-plants is for us what a single prickly-plant is for the insects 1/1000th our size. I find it funny that thoughts relating to perceptual size-difference introspection can be so habitual in desolate wonders of nature.



            Out of the available hiking trails we chose one of medium-length and difficulty (by Sonora NM standards) that was just over two-point seven miles one way. As our boots hit the dusty-red vestibule of the trail the sky was cloudless and the sun was monstrous. The first mile was by far the most challenging; baking in non-cumuli filtered UV-radiation. As we clambered we had to take breaks under pockets of shade as our bodies were in no way accustomed to this kind of heat. Nevertheless once we reached the summit of the first mountain (two-more to go!) the high-mountain breeze and occasional cloud passage made the rest of the journey considerably less arduous. All along our path we saw Gila Woodpeckers and Gilded Flickers roosting in hollowed holes of the cacti’s trunk, which made for some hellish mouth and eyeholes of an anthropomorphized plant-demon. Lizards were also in abundance like Manhattan pigeons though we only crossed paths with two distinct breeds; one that was long and slick more like a snake with toothpick limbs that loved jumping onto vertical surfaces and a little gecko-type with a zebra-striped tail that curled over its body like a scorpion’s that wagged when threatened. By the time we finished, our bodies were drenched with enough fluid Michael Phelps would win a medal in it. But our trip wasn’t over; there was still one more stop before we could depart.

Hugh Norris Trail


Charlotte realizing that not all things want hugs...


Enjoying the view


So many interesting and cool cacti!



Only a little exhausted from the heat...

            Saguaro NP, in addition to it’s famous CUS (or Cacti of Unusual Size) is also known for it’s collection of etched and painted petroglyphs, which are similar to hieroglyphics in that they’re pictures on stone faces. The prehistoric Hohokam created these petroglyphs. They pre-date modern written history making them hundreds to thousands of years old. I had no idea America had such permanent evidence of ancient persons from such long ago, but Charlotte was an anthropology minor so this sort of thing doesn’t get ignored. It wasn’t even a half-mile hike round-trip, but regardless it became all too noticeable that I had reached my physical limit for the day as I proceeded to babble like a drunken lord high off blood pressure and mild-heat stroke. Fortunately, milkshakes are a cure all so we were sure to snag some from a McDonalds drive through window before pedaling on to Northern Arizona. On our way we started noticing a pattern of identical billboards advertising admission to see The Thing: Mystery of the Desert, so naturally a detour was in order.









“The Thing of the Desert”


If you’ve ever found yourself on a major American highway, then you may from time to time detect an advertisement for one of America’s favorite tourist-trap variants; the mystery box. The mystery box is an outdated but irrefutably effective advertising technique used favorably by traveling showmen, con artists, and people with The Great as their unironic title. The concept can be boiled down to four simple steps:
            1. Inform public you have a thing without offering any indication of what it could be in any size, shape, or form.
            2. Offer general admission to see the thing for a mere sixpence a piece.
            3. Profit!!!

The mystery box a flawless trap that prays on the idle imaginations of travelers such as my fiancé and myself. Now neither of us would be considered dupable, and knew that The Thing was most likely a small personal collection of taxidermied fusion-monsters and aliens made from paper mache. The kind of thing you’d find often in an episode of Gravity Falls, and it was because of this fact that inspired a puckish urge in the both of us.
            As we made the appropriate exit we saw a single story steel warehouse painted in striped carnival colors that had faded over years of notable neglect. The THING had been painted over the stripes in enormous letters in the shape of a title from a science fiction paperback. The facility we entered was a tremendous gift shop for Arizonian-themed trinkets identical to every other gift shop in the state. A door for The Thing was a good ten paces from the sales clerk counter and admission was a dollar each and so we bought the tickets to ride whatever awaited us on the other side of that door.
            The door led out of the gift shop and onto a concrete sidewalk leading us with yellow painted Bigfoot tracks leading us to a single-story steel warehouse. A rectangular hole had been cut out of the warehouse to serve as a door. To our left was a collection of trailer-homes and too our right was a ten-foot tall wall of sheet metal boxing us inside the compound. If we are ever destined to get murdered in America, it would be in a place like this.


            We entered the steel warehouse following the Sasquatch tracks and found ourselves standing on one side of a barbed wire fence erected along the centerline of the structure. The entire room presented a strange and animated spectacle. On the other side of the wire was an old fashioned car, heaps of antique do-dads and furnishings, and an iron-barred cage full of wooden human carvings depicting medieval torture methods. It would seem that my fiancé and I had paid two entire dollars to see someone’s personal horde of bestial proclivities. The cars and antiques were benign but the torture scene was completely out of the blue. There was a wooden man getting stretched on a rack, a woman shackled to the wall being tormented by an executioner with a red-hot poker, and a woman with a bleeding back screaming at a man with an axe. The display was bizarre but impressive like a Wax Works exhibit or something you might see in a Rob Zombie music video, or Rob Zombie feature film for that matter.




            There were two more steel warehouses of this collector’s museum, which included glass cases full of little wooden figurines, more antique knick-knacks, and a hummock of twisted bits of lumber painted to resemble wooden-clown sprites that hung from the rafters with wire and string. These were everywhere and in every warehouse and gave the exhibits a perpetual cacodaemoniacal vibe.





A face?



            At last we reached the final warehouse and home of The Thing, which ended up being a coffin fixed to the floor with a sheet of transparent plastic separating The Thing from the outside world. What lay inside the coffin was the mummified corpse of a Chinese mother holding in her arms the mummified remains of an infant. The whole thing was artificial of course as the infant’s head-to-body proportions were way off and the mother’s face looked more like a Halloween mask; with decaying eye sockets staring strait up at us above a gaping mouth filled with blackened tooth stumps. Whoever this belonged too was clearly off their head and out of their mind and God bless them for it. This was exactly what Charlotte and I had envisioned as we stepped through that first steel tomb. Yes the place was ominous and cheap but underneath its coarse surface there was gold. Macabre fanaticism is an art style not lost on us, as we hope to one day fill our future home with just as many (if not more) articles that would be better suited in a cabinet of curiosity than a home for actual living adults. Needless to say we got our monies worth and left Arizona with matching expressions of youthful idealism.


Charlotte admiring The THING!



 George being special




We reached the 6,000 mile mark?!?!?!?! 


not going crazy.... we were already insane!








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